Poster from the Women's Archives
The Women's Gallery, from the Women's Art Archive, 1980, Women's Art Exhibition Posters Archive, E H McCormick Research Library, Auckland Art Gallery Toi o Tāmaki, gift of Juliet Batten, 2008

Collective women: Feminist art archives, 1970s to 1990s


FreeAccessibleCentral Auckland
Date

Saturday 29 September to Sunday 14 October, 10am-5pm
For full exhibition dates visit aucklandartgallery.com

Venue

Auckland Art Gallery Toi o Tāmaki

Cnr Wellesley and Kitchener Sts, Auckland Central

Map to event location, opens in new window.

Plan your journey on the Auckland Transport site, opens in new window

Cost

Free

Bookings

No bookings required

Gallery entry charges:
NZ residents, free (with proof of residency)
Members and Members Guests, free (with valid Members card)
Children 12 & under, free
International adults, $20
International students, $17 (with ID)

Website

aucklandartgallery.com

facebook.com/aucklandartgallery

Event details

"At the height of the second wave feminist movement in Aotearoa New Zealand, women artists campaigned both for equality within the arts and for wider socio-political change. Many also diligently recorded their activities. Performance works were filmed, interviews conducted, letters demanding action sent and received, meetings minuted and manifestos written and circulated. Ideas were chronicled in scrapbooks, protest marches photographed, posters designed, and publications like Broadsheet and Spiral established and distributed.

Creating an enduring record and preserving these ‘memory-traces’ for future generations is something that feminist artists and scholars have engaged with for decades. Systematic archiving or ‘outrage in order’ as Kate Eichhorn describes it in 'The Archival Turn in Feminism' (2014) is apparent in the carefully collated documentation that makes up the cultural artefacts of the movement both here and internationally. The proliferation of material during this period demonstrates the way in which feminist print culture both supported and sustained the women’s movement.

Ensuring these collections found a place within the historic record was also a conscious strategy of many feminist initiatives: Given the historic pattern that has conspired towards the invisibility of women’s art, the project is clearly an affirmative action to ensure that documentation material is retained, in order that references to women artists can continue beyond this particular generation." – Lita Barrie, Women’s Art Archive Interview Project (1984)


Brought to you by Auckland Art Gallery Toi o Tāmaki





Back to top